Literature Students – Wilton Moore Lockwood Prize

A prize awarded to students who have submitted particularly distinguished creative and critical writing in course work:

2019 – Alexander Beatty (creative) & Ziyan Wang (critical)
2018 – Geneva Zane (creative) & Alexandra Michaud (critical)
2017 – Amelia Maggio (creative) & Jonathan Repetti (critical)
2016 – Rosa Schwartzburg (creative) & Austen Hinkley (critical)
2015 – Ariana Perez-Castells (creative) & Beatrice Abbott & Andras Ferencz (critical)
2014 – Undrea Martin, Jr. (creative) & Joshua Corner (critical)

Literature Faculty Activities and Accomplishments

“The Order of Lenin: ‘Find Some Truly Hard People’,” by Jonathan Brent, was published by The New York Times in May 2017.

A provocative, unprecedented anthology featuring original short stories and art from some of today’s most acclaimed writers and artists forthcoming in January 2018. One that will feature, Elizabeth Frank and Neil Gaiman — among many other distinguished writers. “IT OCCURS TO ME THAT I AMERICA. New Stories and Art” brings together “more than 30 of the most acclaimed modern writers” and celebrates, in the words of Karen Russell, “the radical freedom of the imagination, and the power of art to redraw the lines of our shared reality.” The book is published by Touchstone Books, in support of the ACLU “upon the one-year anniversary of the Presidential Inauguration and the Women’s March on Washington”.

Peter Filkins published a review of Simon Armitage’s new verse version of the 14th-century Middle English poem Pearl in the April 2017 issue of The New Criterion.

Fictitious Capital: Silk, Cotton, and the Rise of the Arabic Novel”, by Elizabeth Holt, was published by Fordham University Press in July 2017.

“A Poem Is a Human Artifact: Camille Guthrie in Conversation with Ann Lauterbach,” was published in the Boston Review in April 2017. Recent publications by Lauterbach include: “A Poem is a Human Artifact,” in The Boston Review, April 2017, and “On Tears,” in The Topography of Tears by Rose-Lynn Fisher, published by Belleview Literary Press in May 2017.

John Ashbery Reprise: Professor Ann Lauterbach on the Iconic Poet and Bard Professor Emeritus. Professor Emeritus John Ashbery passed away last month. Here, Ann Lauterbach shares her 2011 introduction of the poet upon receipt of his National Book Foundation Lifetime Achievement Award. (Brooklyn Rail)

In March 2017, Joseph Luzzi gave a lecture entitled, “From Twain to Toni Morrison: A Literary Journey through America,” as part of the Lowell Lecture Series at the Boston Public Library. Luzzi was awarded a Fall 2017 Wallace Fellowship at Villa I Tatti, Harvard’s Center for Renaissance Studies in Florence, Italy, to work on his next book project, “Dante’s ‘Divine Comedy’: A Biography.”

Wyatt Mason on the First Woman to Translate the Odyssey into English Writer in Residence Wyatt Mason examines how the classicist Emily Wilson has given Homer’s epic a radically contemporary voice. (New York Times)

Bard Professor Daniel Mendelsohn reads from his new book, An Odyssey, at the National Arts Club in New York On Monday, March 5. Daniel Mendelsohn will give a book reading and signing followed by a wine reception for his new book, An Odyssey: A Father, a Son, and an Epic. more>>

Professor of Literature Bradford Morrow Publishes New Novel, The Prague Sonata. The Prague Sonata is “an elegant foray into music and memory.” Morrow discusses the new book with Professor Mary Caponegro at Bard on October 2. (Kirkus Reviews)

“Restless Secularism: Modernism and the Religious Inheritance”, by Matthew Mutter, was published by Yale University Press in May 2017.

“‘The Dead Man Come to Life Again’: Edward Albert and the Strategies of Black Endurance,” by Natalie Prizel, was published in Victorian Literature and Culture 45.2.

When Women Aren’t Angels: Francine Prose on the Film Adaptation of Her Novel. Francine Prose’s novel Blue Angel, written 20 years ago and now adapted for the screen as Submission, complicates the current cultural conversation about sexual harassment. (Paris Review)

In March 2017, Dina Ramadan presented her paper, “Remapping the Mediterranean: Cosmopolitanism, Third Worldism, and the Alexandria Biennale,” at the Art, Institutions, and Internationalism: 1933-1966 conference at the Graduate Center, CUNY, and she was invited to “Writing/Curating the Middle East,” at Yale University, where she spoke about “The Science of Art: Knowledge Production and Artistic Practices in Early 20th Century Egypt.” In April 2017, she gave a talk at Princeton University, “In Defense of a Ministry: The Ikhwanization of Culture and the Threat to Egyptian Identity.” Her article, “The Straw that Broke the Camel’s Back,” was published in Middle East Research and Information Project, 280.

In March 2017, Justus Rosenberg was awarded the Legion of Honor from the French Government during a ceremony at the French Consulate in New York City.

“The Plenitude of Distraction”, by Marina van Zuylen, was published by Sequence Press in September 2017.

The Bard College Clemente Course in the Humanities in Kingston, directed by Marina van Zuylen, has been awarded a $3,000 grant from the Ulster Savings Charitable Foundation.