{"id":9087,"date":"2022-02-10T12:52:57","date_gmt":"2022-02-10T17:52:57","guid":{"rendered":"https:\/\/chra.bard.edu\/?post_type=tribe_events&#038;p=9087"},"modified":"2023-12-22T10:49:39","modified_gmt":"2023-12-22T15:49:39","slug":"kendall-thomas","status":"publish","type":"tribe_events","link":"https:\/\/blogs.bard.edu\/chra\/event\/kendall-thomas\/","title":{"rendered":"Kendall Thomas: Taking (A)part:  Human Rights, Human Rites, &#8220;Human Writes&#8221;"},"content":{"rendered":"<p><span style=\"font-weight: 400\">In<em> Taking (A)part: Human Rights, Human Rites and \u201cHuman Writes,\u201d <\/em><\/span><span style=\"font-weight: 400\">Kendall Thomas revisits \u201cHuman Writes,\u201d a 2005 performance-installation about the Universal Declaration of Human Rights on which he collaborated with the choreographer William Forsythe and The Forsythe Company. The cultural theorist Stuart Hall once argued that in the arts \u201cthings get said in ways in which they can&#8217;t get said in any other domain.\u201d In his talk, Thomas takes the triangulated homonymic relationship between \u201crights,\u201d \u201crites,\u201d and \u201cwrites\u201d as a point of departure for exploring the uses and limits of \u201cparticipation\u201d as an aesthetic politics and practice for building a culture of human rights.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Taking (A)part: Human Rights, Human Rites and \u201cHuman Writes,\u201d Kendall Thomas revisits \u201cHuman Writes,\u201d a 2005 performance-installation about the Universal Declaration of Human Rights on which he collaborated with [&hellip;]<\/p>\n","protected":false},"author":1406,"featured_media":9123,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"yes","_tribe_events_virtual_video_source":"video","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"Watch","_tribe_events_virtual_linked_button":"yes","_tribe_events_virtual_show_embed_at":"immediately","_tribe_events_virtual_show_embed_to":["all"],"_tribe_events_virtual_show_on_event":"yes","_tribe_events_virtual_show_on_views":"yes","_tribe_events_virtual_url":"","footnotes":"","_links_to":"","_links_to_target":""},"tags":[98,102],"tribe_events_cat":[80],"class_list":["post-9087","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-spring-2022","tag-talks-series","tribe_events_cat-talks-series","cat_talks-series","tribe-events-virtual-event"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events\/9087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/users\/1406"}],"version-history":[{"count":12,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events\/9087\/revisions"}],"predecessor-version":[{"id":9129,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events\/9087\/revisions\/9129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/media\/9123"}],"wp:attachment":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/media?parent=9087"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tags?post=9087"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events_cat?post=9087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}