{"id":19192,"date":"2025-08-27T15:40:28","date_gmt":"2025-08-27T19:40:28","guid":{"rendered":"https:\/\/chra.bard.edu\/?post_type=tribe_events&#038;p=19192"},"modified":"2025-08-27T15:40:28","modified_gmt":"2025-08-27T19:40:28","slug":"sibathontisele-at-15","status":"publish","type":"tribe_events","link":"https:\/\/blogs.bard.edu\/chra\/event\/sibathontisele-at-15\/","title":{"rendered":"\u201cSibathontisele\u201d at 15: Zimbabwean Ethnopolitics and the Work of Owen Maseko"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Art Curator and Scholar <strong>Zo\u00e8 Samudzi<\/strong> offers a reflection on the ethnopolitical and historical implications of \u201cSibathontisele\u201d (2010-present), a series of paintings by Zimbabwean artist and genocide survivor Owen Maseko. The talk traces a throughline between the Gukurahundi genocide (1982-87), the subject matter of the series, and the relationship between Maseko\u2019s repression as a Ndebele artist and the Zimbabwean state\u2019s historical revisionism regarding the genocide.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art Curator and Scholar Zo\u00e8 Samudzi offers a reflection on the ethnopolitical and historical implications of \u201cSibathontisele\u201d (2010-present), a series of paintings by Zimbabwean artist and genocide survivor Owen Maseko. [&hellip;]<\/p>\n","protected":false},"author":1685,"featured_media":19193,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_links_to":"","_links_to_target":""},"tags":[],"tribe_events_cat":[182,80],"class_list":["post-19192","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-talk","tribe_events_cat-talks-series","cat_talk","cat_talks-series"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events\/19192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/users\/1685"}],"version-history":[{"count":2,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events\/19192\/revisions"}],"predecessor-version":[{"id":19195,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events\/19192\/revisions\/19195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/media\/19193"}],"wp:attachment":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/media?parent=19192"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tags?post=19192"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/tribe_events_cat?post=19192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}