{"id":17505,"date":"2024-07-30T13:28:54","date_gmt":"2024-07-30T17:28:54","guid":{"rendered":"https:\/\/chra.bard.edu\/?page_id=17505"},"modified":"2024-12-13T04:50:47","modified_gmt":"2024-12-13T09:50:47","slug":"resources","status":"publish","type":"page","link":"https:\/\/blogs.bard.edu\/chra\/resources\/","title":{"rendered":"Resources"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t\t
\n\t\t\t\t\t\t
\n\t\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Talks<\/figure><\/a><\/div>

Talks on Human Rights and the Arts 3: Common Ground<\/a><\/h3><\/div>
Common Ground<\/em> is CHRA\u2019s third volume of public talks at the intersection of human rights and the arts.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Ecotono:<\/figure><\/a><\/div>

Ecotono: revoluciones silenciosas (Ecotone: Silent Revolutions)<\/a><\/h3><\/div>
Ecotono: revoluciones silenciosas<\/em> (Ecotone: Silent Revolutions)\u00a0<\/strong>is a book edited by Juliana Steiner, documenting and reflecting on her curatorial project Ecotone: Chagras, Payaos, Camellones<\/a>.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"A<\/figure><\/a><\/div>

A Behind the Scenes Look Into 10 Years of Alarm Phone<\/a><\/h3><\/div>
A book by Alarm Phone activists, marking ten years of the network's life-saving work.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"The<\/figure><\/a><\/div>

The Distance of Death from My Hand to My Mouth<\/a><\/h3><\/div>
A publication by Shaima Hamad in English and Arabic, as part of Common Ground, an International Festival on the Politics of Land and Food.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"A<\/figure><\/a><\/div>

Collapsing Lexicon by The LAAB<\/a><\/h3><\/div>
This publication is available in Arabic and English, created as a project of Activism in Process.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Screenshot\"<\/figure><\/a><\/div>

“Unlearning at the Threshold of the Museum” by Ariella A\u00efsha Azoulay<\/a><\/h3><\/div>
Video documentation of Unlearning at the Threshold of the Museum <\/em>talk presented at Bard College on October 8, 2024. Moderated by Lara Fresko Madra.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"One<\/figure><\/a><\/div>

One Year On: War, Genocide, and the Transformation of Palestinian, Israeli, and Regional Politics<\/a><\/h3><\/div>
Webinar recording of\u00a0One Year On\u00a0<\/em>with Tareq Baconi, Asl\u0131 U\u0308. Ba\u0302li, and Shay Hazkani, Moderated by Ziad Abu-Rish.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Screenshot\"<\/figure><\/a><\/div>

Talks on Human Rights and the Arts 2: The Lawlessness of Rights<\/a><\/h3><\/div>
The Lawlessness of Rights<\/em> is CHRA's second volume of public talks at the intersection of human rights and the arts.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"“Unsettled”<\/figure><\/a><\/div>

“Unsettled” Lecture-Performance by Argyro Nicolaou<\/a><\/h3><\/div>
Video documentation of \"Unsettled,\" by 2023-24 CHRA resident fellow, Argyro Nicolaou at Bard College.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Illustration<\/figure><\/a><\/div>

Excerpt from “Becoming Ungovernable” by Molemo Moiloa<\/a><\/h3><\/div>
Video clip from Molemo Moiloa's \"Becoming Ungovernable.\" This webinar occurred on March 8, 2024 and was moderated by Jos\u00e9 Luis Falconi (University of Connecticut).<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"“Magic<\/figure><\/a><\/div>

“Magic of the Mundane” by Robin Frohardt<\/a><\/h3><\/div>
Video documentation of artist Robin Frohardt's Talk Magic of the Mundane,\u00a0<\/i>Bard College.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"In<\/figure><\/a><\/div>

In Our Thousands, In Our Millions: Cultural Censorship and Anti-Colonial Solidarity with Palestine<\/a><\/h3><\/div>
Video documentation of the panel discussion co-hosted with Forge Project.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"“Hader<\/figure><\/a><\/div>

“Hader Halal” (With Regard to Presence) by Fehras Publishing Practices<\/a><\/h3><\/div>
Video from online lecture performance co-presented with the Vera List Center for Art and Politics at the New School.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Talks<\/figure><\/a><\/div>

Talks on Human Rights and the Arts 1: Through the Ruins<\/a><\/h3><\/div>
CHRA\u2019s first publication: Through the Ruins<\/em> is the first volume in an annual series based on public talks at the intersection of human rights and the arts.<\/span><\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"At<\/figure><\/a><\/div>

At Bard, a Cutting-Edge Program Offers Students from Conflict Zones a Path to Art-Making<\/a><\/h3><\/div>
Article by Shanti Escalante-De Mattei (ArtNews) about CHRA's inaugural class of MA students in Human Rights and the Arts.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Interview<\/figure><\/a><\/div>

Interview with Cooking Sections<\/a><\/h3><\/div>
Interview by Nour Annan (HRA '23) with Cooking Sections about their project When [Salmon Salmon [Salmon]]<\/i>\u00a0at Common Ground: an international festival on the politics of land and food.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Excerpt<\/figure><\/a><\/div>

Excerpt from Jumana Manna’s CHRA Talk: When A Goat Eats the Scene<\/a><\/h3><\/div>
In this short video excerpt from her talk, Palestinian artist and filmmaker Jumana Manna talks about the 'unruly force' that resists destruction, erasure, and ruination.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"“How<\/figure><\/a><\/div>

“How To” Zine (2022)<\/a><\/h3><\/div>
Zine created by students as part of Politics of Interactive Art<\/em> class field trip to Eureka House in Kingston, NY.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"A<\/figure><\/a><\/div>

A Conversation with Omar Mismar<\/a><\/h3><\/div>
Nour Annan (HRA '23) interviews Omar Mismar about his exhibition\u00a0Confiscated Imaginaries,\u00a0<\/em>which was partially supported by CHRA through an OSUN faculty grant.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"You<\/figure><\/a><\/div>

You Have Not Yet Been Defeated<\/a><\/h3><\/div>
Video clip from a book launch event for \"You Have Not Yet Been Defeated\", in solidarity with the author and detained Egyptian activist Alaa Abdel Fattah.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Introducing<\/figure><\/a><\/div>

Introducing the Center for Human Rights and the Arts<\/a><\/h3><\/div>
Text by Tania El Khoury and Thomas Keenan, presented at Documenta 15.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
\n\t\t\t
\n\t\t
\"Thinking<\/figure><\/a><\/div>

Thinking About the Intersection Between Human Rights and the Arts<\/a><\/h3><\/div>
Interview by Katie Kheriji-Watts\u2019 (Hyperallergic) with Tania El Khoury (CHRA Director) and Ziad Abu-Rish (MA Program Director) about the creation of CHRA.<\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

A Behind the Scenes Look Into 10 Years of Alarm Phone A book by Alarm Phone activists, marking ten years of the network’s life-saving work. The Distance of Death from […]<\/p>\n","protected":false},"author":1407,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-17505","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/pages\/17505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/users\/1407"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/comments?post=17505"}],"version-history":[{"count":23,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/pages\/17505\/revisions"}],"predecessor-version":[{"id":18487,"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/pages\/17505\/revisions\/18487"}],"wp:attachment":[{"href":"https:\/\/blogs.bard.edu\/chra\/wp-json\/wp\/v2\/media?parent=17505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}