{"id":326,"date":"2010-09-06T12:33:27","date_gmt":"2010-09-06T16:33:27","guid":{"rendered":"http:\/\/blogs.bard.edu\/arthistory\/?p=326"},"modified":"2010-09-07T11:46:06","modified_gmt":"2010-09-07T15:46:06","slug":"326","status":"publish","type":"post","link":"https:\/\/blogs.bard.edu\/arthistory\/?p=326","title":{"rendered":""},"content":{"rendered":"<p><strong>Summer 2010 &#8211; Prof. Patricia Karetzky<\/strong><\/p>\n<figure id=\"attachment_328\" aria-describedby=\"caption-attachment-328\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/blogs.bard.edu\/arthistory\/files\/2010\/09\/DSC_0314.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-328\" title=\"DSC_0314\" src=\"http:\/\/blogs.bard.edu\/arthistory\/files\/2010\/09\/DSC_0314-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" \/><\/a><figcaption id=\"caption-attachment-328\" class=\"wp-caption-text\">Prof. Patricia Karetzky and husband Monroe in Bejing artist Hou Guanbin&#39;s studio<\/figcaption><\/figure>\n<p style=\"text-align: center;\">\n<p>During the summer I gave two talks: \u201cUses of the Past in Contemporary Chinese Art,\u201d at Xiamen University Fujian in June\u00a0 and \u201cThe Use of Hanzi in Contemporary Chinese Art\u201d\u00a0 at the Seventh International Conference\u00a0 on Hanzi Calligraphy Education, Capital Normal University, in Beijing on June 29.\u00a0 I also published an article<em> Cui Xiuwen, Walking on Broken Glass<\/em> for the Yishu Journal of Contemporary Chinese Art (vol. 9 no. 3:18-33).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summer 2010 &#8211; Prof. Patricia Karetzky During the summer I gave two talks: \u201cUses of the Past in Contemporary Chinese Art,\u201d at Xiamen University Fujian in June\u00a0 and \u201cThe Use of Hanzi in Contemporary Chinese Art\u201d\u00a0 at the Seventh International Conference\u00a0 on Hanzi Calligraphy Education, Capital Normal University, in Beijing on June 29.\u00a0 I also [&hellip;]<\/p>\n","protected":false},"author":144,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-326","post","type-post","status-publish","format-standard","hentry","category-faculty-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts\/326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/users\/144"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=326"}],"version-history":[{"count":8,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts\/326\/revisions"}],"predecessor-version":[{"id":330,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts\/326\/revisions\/330"}],"wp:attachment":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}