{"id":3179,"date":"2019-02-26T15:25:15","date_gmt":"2019-02-26T19:25:15","guid":{"rendered":"http:\/\/blogs.bard.edu\/arthistory\/?p=3179"},"modified":"2019-02-26T15:25:15","modified_gmt":"2019-02-26T19:25:15","slug":"alex-kitnick-to-moderate-a-panel-andy-warhol-after-pop","status":"publish","type":"post","link":"https:\/\/blogs.bard.edu\/arthistory\/?p=3179","title":{"rendered":"Alex Kitnick to Moderate a Panel: Andy Warhol After Pop"},"content":{"rendered":"<header class=\"event-detail-header\">\n<p class=\"event-detail-header__category\"><a href=\"https:\/\/whitney.org\/Events?event_category=talks_and_readings\"><strong>Talks &amp; Readings<\/strong><\/a><\/p>\n<h1 class=\"event-detail-header__title headline-large m-0\">Andy Warhol After Pop<\/h1>\n<h2 class=\"event-detail-header__title headline-large event-detail-header__title--gray\">Mar 1\u2013Mar 2, 2019<\/h2>\n<\/header>\n<div class=\"event-detail__description body-large\">\n<p class=\"event-detail__location\">The New School: The Auditorium, 66 West 12th Street<\/p>\n<p>Andy Warhol\u2019s activities after 1968 have long been understood as less influential and less innovative than his work in the early 1960s. However, his wide-ranging production in the \u201870s and \u201880s reveals a period of great experimentation, in which the artist further explored the possibilities of painterly abstraction, media technologies, studio practices, mass cultural forms and phenomena, and underground subcultures.<\/p>\n<p>Now over thirty years since Warhol&#8217;s death, his late artistic practice can be understood as far more diverse and multivalent than it appeared when he was alive. Yet, the work from this era has received less critical attention than that of the 1960s, and much of it remains little known. This symposium brings together scholars, curators, and artists to reassess Warhol\u2019s activities in the period from 1968 until his death in 1987 in light of the exhibition\u00a0<a href=\"https:\/\/whitney.org\/warhol\"><em>Andy Warhol\u2014From A to B and Back Again<\/em><\/a>.<\/p>\n<p>This event is co-organized by the Whitney Museum of American Art and the Eugene Lang College of Liberal Arts at The New School.<\/p>\n<p><a href=\"http:\/\/blogs.bard.edu\/arthistory\/files\/2019\/02\/Lang_Logo3_Large_RGB.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-3180\" src=\"http:\/\/blogs.bard.edu\/arthistory\/files\/2019\/02\/Lang_Logo3_Large_RGB-300x111.jpg\" alt=\"\" width=\"300\" height=\"111\" \/><\/a><\/p>\n<p><strong>This event is free but registration is required. Seating is available on a first-come, first-served basis. This program will be live streamed on\u00a0<\/strong><a href=\"https:\/\/www.youtube.com\/user\/WhitneyFocus\"><strong>YouTube<\/strong><\/a><strong>.<\/strong><\/p>\n<\/div>\n<h2>\nDay One<br \/>\n<span class=\"gray\">Friday, March 1, 2019<\/span><br \/>\n<span class=\"gray\">1\u20136:00 pm<\/span><\/h2>\n<p><strong>Opening Remarks<\/strong><br \/>\n1 pm<\/p>\n<p><strong>Session 2: Recording Everyday<\/strong><br \/>\n4 pm<\/p>\n<p>Richard Meyer, Robert and Ruth Halperin Professor in Art History, Stanford University<\/p>\n<p>Ken Okiishi, Artist<\/p>\n<p>Neil Printz, Editor, Catalogue Raisonn\u00e9 at The Andy Warhol Foundation for the Visual Arts<\/p>\n<p>Melissa Ragona, Associate Professor of Visual Culture and Critical Theory, Carnegie Mellon University<\/p>\n<p><strong>Moderated by Alex Kitnick, Brant Family Fellow in Contemporary Arts at Bard College<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Talks &amp; Readings Andy Warhol After Pop Mar 1\u2013Mar 2, 2019 The New School: The Auditorium, 66 West 12th Street Andy Warhol\u2019s activities after 1968 have long been understood as less influential and less innovative than his work in the early 1960s. However, his wide-ranging production in the \u201870s and \u201880s reveals a period of [&hellip;]<\/p>\n","protected":false},"author":144,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3179","post","type-post","status-publish","format-standard","hentry","category-faculty-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts\/3179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/users\/144"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3179"}],"version-history":[{"count":2,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts\/3179\/revisions"}],"predecessor-version":[{"id":3182,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=\/wp\/v2\/posts\/3179\/revisions\/3182"}],"wp:attachment":[{"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.bard.edu\/arthistory\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}