Bard College ART HISTORY and VISUAL CULTURE PROGRAM
Bard College Art History graduate Angelo Aponte spoke on Tuesday April 26 on his experiences as a Freemason and Worshipful Master in Secaucus Hudson 
Lodge #72 in New Jersey in Prof. Susan Aberth’s course, What is Freemasonry?
Congratulations! Miranda Fey Whitus and her project, Tracing the Lineage of Historic Families of the Hudson Valley Through Collection Materials, is a 2017 McHenry Award winner in the Historic Preservation category for her proposal for Montgomery Place.
The Advisory Committee selected Miranda Fey Whitus because of her exceptional leadership abilities and the quality of the project that she is going to work on.
Rabih Mroue and Lina Saneh, “Biokraphia” (2002) Courtesy of Askhal Alwan
This talk is about the relationship between contemporary art, dissent, cultural diplomacy and cultural politics in the Arab Middle East. Since the start of the Arab revolutionary process and the violence that has accompanied it, the culture and arts domain has come to play an ever more crucial role as mobilizer, witness, and archivist of historical events. As a result the domain has enjoyed an exponential growth in the technical and financial support it receives from US and EU funding bodies. This growth has provoked intense debates within policy circles and a plethora of academic literature on what the role of visual and cultural practices are and should be in violent warfare, political change, and the study of politics and culture in the region.
This talk will historicize and contextualize this phenomenon as its focus predates 2011 and grapples with it from its first appearance in the 1990s and until its consolidation in the aftermath of 9/11. Specifically the talk examines the ways in which transnational circuits of visual cultural production are related to how society makes, sees and experiences the political in art and its relevance to the wider publics in Jordan, Lebanon and the Occupied Palestinian Territories. I address prevalent debates about the nature of the political in art as well as the role of art and the intellectual in political change. It shows that both are part and parcel of shifting structural dynamics in local and international politics that directly impact the production of culture and how different generations practice them, perceive them and process them. Hence this talk is not is not so much about “art”, as much as it is about the “artworld” from a local perspective, and how culture in it is produced in a global world. It is equally about some of the centers of power that fund and disseminate visual knowledge about the Middle East.
Hanan Toukan is Visiting Assistant Professor of History of Art and Architecture and Middle East Studies at Brown University.
This event is co-sponsored by the Human Rights Project and the Art History program
For more information: contact Dina Ramadan at 845-758-6822, or e-mail [email protected].
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