Terrific preview for WE’RE WATCHING in the New York Times, which focuses on the collaboration between Claudia Rankine and Will Rawls for What Remains. Read it online here and in print tomorrow! Catch What […]
Michelle Ellsworth uses her expansive definition of dance as well as video, text, performance sculptures, and the World Wide Web to explore topics ranging from pharmaceutical art to experimental surveillance. […]
Samuel Miller is a queer filmmaker, writer, and theater artist based in Los Angeles and New York. Obsessed with authenticity, digital environments, and hauntings both literal and metaphorical, Miller’s work […]
Caden Manson and Jemma Nelson founded Big Art Group in 1999 in New York City as a company for the creation of contemporary performance. Big Art Group’s work exists in […]
Hasan Elahi is an interdisciplinary artist whose work examines issues of surveillance, citizenship, migration, transport, and borders and frontiers. His work has been presented in numerous exhibitions at venues such […]
Annie Dorsen works across the fields of theater, film, dance, and digital performance. Between 2010 and 2015, she created a trilogy of algorithmic performances: Hello Hi There, A Piece of […]
Recently I sat down with Alexandro Segade to discuss the inspiration and creative process behind his speculative, multimedia theater epic Future St. which will be part of WE’RE WATCHING this April. Segade is […]
According to The New York Times, WE’RE WATCHING will make you “Feel Smarter About the World.” Read about it here.
This past January team members of What Remains were in residence at The Fisher Center for Performing Arts. Premiering at WE’RE WATCHING this April, What Remains is a collaboration […]
We’re Watching is a performance exhibition about surveillance, and the second edition of the Live Arts Bard Biennial. We refer to the biennial as a “performance exhibition” because it […]